Tuesday, April 10, 1:30 PM
LNZ <3 Visual Album is the longest night of lnz's life as everyone is trying to kill her. Constructed as a loosely woven spiraling death odyssey of the night, LNZ's body moves through different forms of digital imagery until finally being uploaded to the internet to live forever. Formally, its a 60 minute selfie. Thematically its a coming of age story in a technological communications revolution where love gets uploaded, digitally dislocated, unseen, and lost bit by bit into an asynchronous internet landscape. In one way its like a love text, and in another its like a technological breakup, but all compressed into a mp3 format.
Foul-mouthed, anti-tech, emotion-laden, post-social media rap from the heart of the beast: Northern Virginia. This is what I’ve always wanted modern pop rap to achieve. LNZ crushes it all.
She is self-conscious ‘n’ self-deprecating, evaporating MC’s ‘n’ ex-boyfriends, ‘n’ herself (& her selfie). She’s some sort of straddling of suburban hipster rap goddess, but realizing even that irony is too safe, destroyer of all genes ‘n’ genres.
Aesthetic Catharsis in the Era of American Fascists
Director: James Connolly
A structuralist video essay examining the racial, psychological, and image-based power structures behind contemporary American politics.
Director: Monica Panzarino
A performance of Barbra Streisand’s 1973 hit single, “The Way We Were” with a unique combination of real-time image and sound processing tools.
Director: Sam Rolfes
Choked and pinned with glowing scraps of regressive netscum, a body thrashes and steps through the digital visual violence.